Claire Sawers

Freelance Writer

Category: Comedy (page 1 of 4)

Review: Seymour Mace – Shit Title

Comedian Seymour Mace

Seymour Mace

The List
7 August 2016
4 stars

For anyone wondering whether Seymour Mace will ever run out of crap glove puppet routines, shonky cardboard props and flimsy game-show spin-offs, the answer is no, apparently he never will. It’s a question he asked himself quite obsessively, he confesses, agonising through the pressure of the 12-month build-up to another Fringe, where he’d have to deliver a hit show after all the inconveniently gushing praise he received for last year’s Edinburgh Comedy Award-nominated Niche as Fuck! He can relax though, Shit Title (he settled on that one after binning several other options including Dark Whimsy and Lonely Joking) is just as magnificently off as his growing legions of fan would hope it to be.

From his tuneless karaoke intro to ‘I Wanna Know What Love Is’ as the crowd shuffle into their seats, through his sensual, partially undressed mannequin hand dance, and an illustrated guide to famous Garys he admires or strongly disapproves of, Mace can’t seem to switch off once he’s up and running. And it’s a pleasure to behold.

Ridiculous, mildly abusive whimsy, with references to suicide, depression, mortality and self-harm are cheerfully slotted in among ‘Cuddly Toy’ lip syncing, prosthetic chins and inflatable props. Another sublimely daft show from an outsider grandmaster at work.

The Stand 2, until 28 Aug (not 15), 2.30pm, £9 (£8).

Feature: Five comedians share their thoughts on race.

Shappi Khorsandi

Shappi Khorsandi

The Herald 
30 July 2016

Shappi Khorsandi

(pictured, left)

Fringe regular Khorsandi has tackled race plenty times before, with shows such as The Asylum Speaker and The Distracted Activist. This time Tehran-born Khorsandi, who grew up in west London in the 80s after her Iranian family fled in exile, is ‘reclaiming patriotism’. According to her press release, “She’s celebrating her 40th year in Britain with a love letter to her adopted land. Skinheads welcome.”

Oh My Country! From Morris Dancing to Morrissey, The Stand, 8.30pm, 3rd-28th August, (not 4th,15th).

Read Claire Sawers’ review of Shappi Khorsandi’s Fringe show online at The List here

Nazeem Hussain

Patron of RISE: Refugees, Survivors and Ex-Detainees, an Australian organisation run by refugees, this Muslim comedian of Sri Lankan descent will be covering Britain after Brexit in his debut Fringe show. He’ll also be discussing the rise of the Australian extreme right wing, immigration and his TV comedy show Legally Brown.

Legally Brown, Assembly George Square Studios, 8pm, 3rd-28th August (not 16th).

Athena Kugblenu

This half Ghanaian, half Guyanese comedian grew up in north London. Her debut Fringe show will explore politics, class, immigration and heritage, “in a way that encompasses, rather than isolates, highlights rather than diminishes and relentlessly challenges stereotype.”

Reality Check, Laughing Horse @Southside Social, 10pm, 13th-28th August.

Jamali Maddix

UK-born Maddix has a Jamaican dad and Italian mum and is bringing his first solo show to the Fringe. “The time is ripe to talk about racism. My only debt to the audience is to be funny. I can’t apologise for what colour I am. Although I’m not saying I’m a role model, I’m a piece of s**t person and I hate responsibility.”

Chickens Come Home To Roost, Pleasance Courtyard, 8.15pm, 3rd-29th August (not 15th).

Bilal Zafar

A former care assistant in Manchester, this London-based comedian’s material often deals with his experiences of islamophobia and racism. His debut show promises to take his audience, “on a fascinating and hilarious journey of how he became a prime target for the furious far right around the world.”

Cakes, Just the Tonic at The Mash House, 3.40pm, 4th-28th (not 15th).

Read online at The Herald here.

Feature: Brexit Britain has made the comedy circuit a worrying place for many non-white comedians

The Herald
30 July 2016 

Shazia Mirza on the cover of The Herald Saturday Arts magazine

Shazia Mirza on the cover of The Herald Saturday Arts magazine

When the Brexit vote is no laughing matter

IT WAS Friday June 24. “Black Friday.” Many were still struggling to swallow the EU referendum news, and comedian Nish Kumar was playing a gig at London’s Comedy Store. More than a decade into his comedy career, it was the night he got his first racist heckle. “Go home!”, shouted someone halfway up the room. “I am home . . .?”, Kumar offered back. Born and raised in the UK, Kumar’s parents are from Kerala, India, hence his brown skin.

Fellow stand-up Paul Tonkinson was quick to Tweet about Kumar’s heckler, saying, “There’s no way this would have happened pre-Brexit.” The National Police Chiefs’ Council reported an alarming 57% rise in reports of hate crime that weekend, and hearing that xenophobes were now straying into the traditionally pretty liberal, arts-loving environs of the metropolitan comedy club sent ripples throughout certain pockets of the comedy scene. In particular, the non-white pockets.

Birmingham-born comedian Shazia Mirza has been performing material about Islamophobia since 2000, including gags about her Pakistani Muslim parents, so should be pretty unfazed about putting a non-white voice onstage by now. Yet since Brexit, she’s turned down six venues on her UK tour.

“I decided not to play certain venues, where I think it might not be safe now,” says Mirzia. “I don’t want to go to Sunderland, or Folkestone, where they’re not necessarily going to want to hear what I have to say. I wouldn’t have said that before.”

Three days after Brexit, a friend of Mirza was assaulted in the street during Ramadan, and asked, “Why haven’t you left yet?” When she replied that she was born in Britain, they spat back, “Change your f***ing clothes then.”

For Mirza, it’s a worrying jolt back to the 1970s, the last time she remembers people being openly racist.

“I was five when someone called by mum a ‘black bastard’ on a train, it was horrific. Lots of Irish in Birmingham were labelled as terrorists around then too. But that kind of visible racism – graffiti on walls, abuse in the street – I’ve not known it since my childhood. It seems so backwards and old-fashioned to go back there.”

Mirza believes certain racist views have been dormant for years, and the referendum has helped bring them to life. Sameena Zehra, a Brighton-based comedian who grew up in Kashmir, agrees.

“The referendum has unleashed something, or legitimised a lot of people’s views. It’s as if all the work against xenophobia before now, we didn’t teach them it was wrong to think like that; we just told them it was taboo. Now there’s this institutional endorsement of how they feel, certain people have just gone apeshit.”

Zehra, who will host a nightly club during the Fringe, The Cult of Comedy, and perform her solo show Poetry Can Fuck Off at The Stand, isn’t scared to go onstage, in fact it’s made her more determined to address racism through her work.

“The court jester used to make fun of society’s issues, and treat very dark matters very lightly. He could move across the entire continuum, play in front of noblemen and commoners and get away with making jokes about them all. As comedians, we need to focus on that power.”

She believes comedians are uniquely placed to speak about issues too often minimised and swept aside.

“I’m a brown, able bodied, heteronormative, middle class woman, but ask the LGBT or disabled community, and many would say the same, very disturbing problems can be written off as ‘just anecdotal evidence’ when it’s a much larger, culturally ingrained problem. It’s great these fictions are now being exposed, and we need to learn how to have nuanced conversations about them.”

Comedian Njambi McGrath has lived in London for over twenty years, and grew up in Kenya. She is writing a memoir about her childhood, where she witnessed the effects of structural racism, after both her parents were sent to concentration camps, on Winston Churchill’s orders.

“After centuries of portrayals of black people as backwards and dangerous, and these constant, subliminal messages, bigotry becomes a disease.”

Although McGrath has never experienced racist abuse in a comedy club, she admits she’s now “very nervous” about performing. If one did show up, she isn’t confident they’d want to discuss their views if challenged.

“Often it’s not a grown up debate. I would argue until I’m blue in the face, but would they want to listen? I grew up in Africa, so I know how easy it is for politicians to make people turn on one another. When people are living unhappy lives, they are very easy to incite.”

She is looking forward to playing Edinburgh, which she considers “an intelligent audience”, but is worried about other places. She describes a recent gig in Lichfield where she went on after three white male standups.

“The audience was in bits. Hysterics! I thought they’d be an easy crowd and I was about to shred it. But they just stared at me. I absolutely died onstage. I don’t want to cry racism – I wouldn’t cut it in this game if I couldn’t accept a crowd just not finding me funny. But sometimes racist vibes can be much more subtle.”

Mixed bill lineups can be more daunting than a solo show, admits Tez Ilyas, performing Made in Britain at the Pleasance.

“I’m feeling good about Edinburgh,” says Ilyas, after coming off stage at Latitude Festival. “I’d be surprised to get heckled by someone who’s seen my name and face on a poster and paid to see me. Playing to crowds who don’t know you is tougher. I’m certainly more apprehensive about playing gigs outside of metropolitan, liberal bubbles like the Edinburgh and London scene.”

For Nish Kumar, the “Go home” heckle has given him fresh material for his Edinburgh show.

“I’m 30 years old – I’m too old to be bullied! I refuse to be intimidated by the actions of a small bunch of dickheads.” He thinks of Edinburgh audiences as “judiciously comedy savvy and well behaved” and remembers a recent gig at The Stand where a drunk woman in the crowd kicked herself out before the show began, worried she was about to get boisterous.

“I’m painfully aware that I’m in a privileged, luxurious position. My job gives me a platform to discuss these disturbing ideas. In a protected environment, with security. Others don’t have that ability to challenge the idiocy. The worst thing we can do is dismiss what’s happening, and downplay the significance of hate crimes.”

Nish Kumar: Actions Speak Louder Than Words, Unless You Shout The Words Real Loud, Pleasance Courtyard, August 3-28; Shazia Mirza, The Stand, August 4-13; Sameena Zehra: Poetry Can F*ck Off, The Stand, August 4-28 (not 15); Njambi McGrath: 1 Last Dance With My Father, Laughing Horse @ Espionage, August 3-27(not 8, 15, 22); Tez Ilyas: Made in Britain, Pleasance Courtyard, August 3-28(not 15).

Read online and view a photo gallery at The Herald here


Review: Seymour Mace – Niche As F*ck!

Comedian Seymour Mace

Seymour Mace

The List
28 August 2015
4 stars

This Geordie has been coming to the Fringe for 12 years, charming the tits off his fans with dark whimsy and flimsy props. Thank goodness he’s just decided to go deeper with his strange, surrealist, low-budget style to present his aptly-titled 2015 show Niche as F*ck!

Those who weren’t on-board the Mace train before probably won’t feel tempted now. But for lovers of his absurd, northern line of light entertainment (constructed from tin foil and charity shop tat, and borrowing from the unfaltering professionalism of Tommy Cooper, the thought-provoking social commentary of Vic and Bob and the poetic flair of Viz magazine) this may be his best hour yet.

For all its homemade disaster, there is a sophisticated balance between the cutely nonsensical (glove puppets, sketches of man-sandwiches, a top prize made of a Pringles tube and a golf ball) and something more ink-black and cynical. When game-show contestants from the crowd lose his bizarre game of ‘Blankety Twat’, they’re sent back to their seats with a torrent of affectionate abuse, hanging their heads.

Dafter, ludicrous moments are punctuated with asides about fiddlers, wife batterers, social climbers and evil-doers. ‘See? It seems silly but it’s actually quite political!’ he says, in a kind of wonky Anne Robinson wink to his crowd. It’s definitely silly, but Mace’s niche is a smart one too, where laughter tears spring from his crowd at the oddest moments.

The Stand 2, 558 7272, until 30 Aug, 2.30pm, £8 (£7).

Simon Amstell – preview

The List

15 October 2009

After a successful Fringe stint, the neurotic comedian returns Continue reading

Simon Amstell – Do Nothing

The List
20 August
4 stars

How to Do Nothing in a very funny way Continue reading

The Penny Dreadfuls

The List
16 August 2009
4 stars

A quality spoof from hammy trio Continue reading

Alex and Helen’s Radio Nowhere

The List
21 August 2009

Silly, surreal and sarcastic fun Continue reading

Zoe Lyons

The List
18 August 2009
3 stars

Sharp act with a cuddly side Continue reading

Des Clarke – Clarxism

The List
16 August 2009
2 stars

Showbiz shine disappears with tired material Continue reading

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