A new project from Glasgow duo Tom Marshallsay, aka Dam Mantle, and Richard McMaster of Golden Teacher
21 October 2014
General Ludd fuses the talents of a bunch of Glasgow music acts we already loved. The duo of Tom Marshallsay (aka Dam Mantle), and Richard McMaster (from Golden Teacher, Lovers Rights and Silk Cut) was a shoo-in for good things, and recent DJ mixes and an upcoming EP of twitchy, bouncy house/ techno/ pop confirm suspicions – yup, it’s a match made in electronic heaven.
Where were you when General Ludd first came up in conversation?
At home flicking through the pages of [1960s Marxist text] The Society of the Spectacle.
Did you set out to make music that was going to sound a certain way? Or did it just kind of evolve out of the gear you were using/ the way you were producing it at the time?
I think we have some sort of process that we feel comfortable with now. It’ll inevitably evolve as we go along and is never fixed; the environments that are imagined when we’re constructing tracks are varied. Our sound doesn’t necessarily revolve around specific gear, but we tend to use this old Allen & Heath mixer we acquired, and if we have equipment that performs the same task as the computer we try to use that as you can access more immediate visceral responses from being hands on. There is this space in yourself when making music that almost feels out of your own body – it’s like you are looking at yourself playing or performing a task and you forget what you are actually needing to do. Whenever that happens it’s something that we focus on and that is an essential part of our production.
Can you sum up the General Ludd sound in five words??
Why did you call yourselves General Ludd? (ie: the guy we take the word luddite from?)
I don’t think the Luddites were necessarily anti-technology or backwards looking (which is how the word tends to get appropriated), they were just protecting their craft from those who capitalised on running the mills where they made their living as artisans. By using the name of a mythological hero of a leaderless movement we hope to draw attention to the struggles of those who were trampled in order to establish the industrial empire we live and work within today … It’s about having a healthy sceptical attitude, although we don’t align ourselves with a specific ideology, critical thinking is important to us …
You’re well connected – with gigs at Berghain, and doing stuff for Huntley and Palmers, Optimo, Boiler Room – any other collaborations or projects in the pipeline?
We’ve been really lucky to work with people who are mindful, charitable and are into music for the right reasons. A lot of that just is the product of music in Glasgow. We just finished an EP and have quite a few plans in the pipeline.
How do you swap / work on music?
We’ve both been in Glasgow for around 7 years. We work together at a home studio that we’ve slowly constructed over the past few years. Our time does get limited by our various commitments but we’re always trying to be as productive as possible with our time together.
What do you both get from GL that is a bonus / missing thing from your other music projects?
The chance to make distilled productions outside of a ‘live context’ that are mainly focused for DJing. We also get opportunities to DJ as GL and that is a really exciting experience. Even just this last weekend we played in London at a Black Atlantic party at Village Underground with Golden Teacher and Optimo and it was such a great experience. It’s so exciting to play the music that we love to 1000 people and see bodies moving and smiles on new faces. Music can really transfer emotion in such immediate ways and it’s so exciting to be part of that exchange, that’s what we’re doing this all for.
What do you want from a crowd when you play live?
Communitas. Empowerment. Freedom. Party!
Read the interview in The List here.